Helmed by Portishead co-founder Geoff Barrow, this sharp-edged though slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own parents. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The bigger point – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, fuming after David kills his dog. Still, a darkly funny duel unfolds – David desperate to escape; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
Just a single important plot development, but it leads to a hilariously staged rampage on the woodland paths that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film is in UK and Irish theaters from 17 November.
